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・ The Three Hearts
・ The Three Hermits
・ The Three Heroes and Five Gallants (1991 TV series)
・ The Three Heroes and Five Gallants (2016 TV series)
・ The Three Heroes and Five Gallants (disambiguation)
・ The Three Horseshoes, Monmouth
・ The Three Hostages
・ The Three Hostages (film)
・ The Three Hostages (TV series)
・ The Three Impostors
・ The Three Jewels (short story)
・ The Three Johns
・ The Three Jovial Huntsmen
・ The Three Kings (film)
・ The Three Kings (novel)
The Three Kisses of Love
・ The Three Ladies of London
・ The Three Languages
・ The Three Laws of Robotics in popular culture
・ The Three Leaps of Wang Lun
・ The Three Linden Trees
・ The Three Little Birds
・ The Three Little Men in the Wood
・ The Three Little Pigs
・ The Three Little Pigs (film)
・ The Three Little Wolves and the Big Bad Pig
・ The Three Lives of Thomasina
・ The Three Mannequins
・ The Three Marias
・ The Three Marys


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The Three Kisses of Love : ウィキペディア英語版
The Three Kisses of Love

"The Three Kisses of Love" is a song composed principally by Barry Gibb〔("The Three Kisses of Love" by Bee Gees at Allmusic )〕 and recorded by the Bee Gees. It was released on 22 March 1963 as the B-side of their debut single "The Battle of the Blue and the Grey".〔(Bee Gees - The Three Kisses of Love at 45cat )〕 It was later included in numerous compilations.
The song was performed in lip-sync on ''Bandstand'' along with "The Battle of the Blue and the Grey" on April 24, 1963.
==Recording==
It was recorded around February 1963 along with the song's A-side "The Battle of the Blue and the Grey".〔 Recording took place at Sydney's Festival Studios. This song was later compared to Herman's Hermits' "Silhouettes". It was also compared to the group's earlier song, "Let Me Love You" also a Barry Gibb composition written in 1959. Both tracks featured orchestral backing, but since the arrangements consist only of violin, string bass and drums with the violin (or possibly damped guitar) played pizzicato it is likely that Robert Iredale or Col Joye had made use of an echo chamber. This was Iredale's favorite trick which was probably featured on some of the Bee Gees' next few singles too. By placing a microphone and speaker in a small room adjacent to the recording booth, Iredale could make a solitary violin sound like a more string section.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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